preserving a disappearing heritage: the bagh cave paintings at bhopal state museum

Nestled deep in the heart of India, on the banks of the seasonal Baghani river in Madhya Pradesh, are a series of nine rock-cut Buddhist temples covered with jewel-like murals. Known as the Bagh Caves, they date back to the 4th to 6th Centuries AD. According to legend they were built by a Buddhist monk called Dataka.

Contemporaries of the better-known Ajanta Caves in Maharashtra, only five survive of its original nine. Very few even know of these five. I for one, did not. Did you?

In Bagh, as in Ajanta, the appendage “cave” is a bit of a misnomer. These temples are not natural caves but rock-cut structures excavated from the perpendicular sandstone faces of the Vindhya mountain range, 150 feet above the river bed. Quadrangular in plan, they are lined with cells surrounding a courtyard and have a stupa-filled chaitya or prayer hall at the back. A colonnaded portico fronts each cave. 1,500 years ago, all nine caves in Bagh were used as viharas or resting places by Buddhist monks.

What makes these caves a masterpiece in India’s ensemble of art and heritage is, however, not their architecture but their tempera murals. Decorated with portraits of bodhisattvas and secular life during the Classical Gupta Period (319 – 605 AD), the powerful line-work bathed with mineral colours are a visual treat, deceptively modern in style and substance.

There are scenes illustrating the lives of the inmates of the monasteries and of the kings and generals who patronized their art. The paintings also had a religious function which explains the air of solemnity and quiet dignity which cloaks them. Fragments of these compositions still exist on the cave walls and ceilings. The most magnificent is in Cave 4, aptly christened Rang Mahal or Palace of Colours.

Time has not been too kind to the Bagh Caves, though. Compounded with the vagaries of weather, the murals, which were once-upon-a-time as exhilarating a sight as those in Ajanta, are dying a slow death. An inspiration to the birth and growth of Modern Indian Art and its masters such as Amrita Sher-Gil and Nandalal Bose, the paintings are now a sorry remnant of their original glory.

But before its downfall could catch up speed, a group of artists and conservationists in the turn of the 20th Century decided to make copies of these artworks for posterity. These watercolour copies are all the more significant because they are painted by 20th Century artists, no different in their love for art from their 5th Century counterparts.

The task of making the copies was initiated in 1920—a task that found completion under the guidance of Captain Gladstone Solomon, principal of Sir JJ School of Art (1918 – 36) in Bombay. Solomon delegated the exercise to two of his students—Bhonsle and Apte—assisted by Bhand, an art student in Gwalior. And hence, three young men were able to give the 1,500-year-old tempera compositions embellishing the Bagh Caves a fresh lease of life, albeit this time in another medium.

These watercolour paintings are today housed in the Bagh Cave Paintings Gallery at the State Museum in Bhopal [also called the State Archaeological Museum]. One hour of revelling in the beauty of these paintings justifies an art-lover’s travels to Bhopal. Mine were. Maybe yours will be too. ❤

Detail, Hallis Lasya [folk dance]: One of the two large-sized reproductions in the gallery, the painting comprises of groups of musicians and dancers, and offers a wonderful glimpse of secular life in 5th Century AD.

A Bodhisattva. Bodhisattvas are enlightened beings who have put off achieving nirvana in order to help others attain enlightenment.

Preaching Buddha with a monk seated by his feet.

Another Bodhisattva. Bodhisattvas, motivated by great compassion for others, formed an important theme in Buddhist art and literature.

Bodhisattva Padmapani. This painting in the Bagh Caves is considered to be the prototype of the celebrated Padmapani figure at Ajanta.

The rock-cut Bagh Cave temples served as monasteries for Buddhist monks who spent the monsoon months in meditation. Whilst the secular paintings depicted the life of their patrons, paintings such as the above portrayed the spiritual side of the monks’ lives.

A veena player. The original Bagh Cave paintings were made in tempera using mineral colours from ochre, clay, chalk, kaolin line, lamp-black, gypsum green glauconite, and lapis lazuli.

If colour gave life to the Bagh Cave paintings, the fluid vibrant lines gave them vigour. These two key elements of 5th Century Gupta art have been effectively reproduced by Bhonsle, Apte, and Bhand in their 20th Century watercolour copies, ensuring 21st Century audiences also enjoy them. For not all of us can travel to the Bagh Caves and none of us were around in the 1920s. 🙂

Travel tips:

  • Museum address: Shyamla Hills Road, Shyamla Hills, Bhopal – 462002, Madhya Pradesh.
  • Museum timings and fees: 10:30 am – 5:30 pm, Closed on Mondays; Rs. 10 [Indian], Rs. 100 [Foreigners]; Photography charges [without flash] for still camera: Rs. 50, Video camera: Rs. 200.
  • The Bagh Caves are located 97 km from Dhar, and 161 km from Indore, in western Madhya Pradesh.

24 thoughts on “preserving a disappearing heritage: the bagh cave paintings at bhopal state museum

  1. Every ancient art needs to be preserved. Having taken inspiration from your post I’ll post some of the most beautiful arts I know. Being a student of a fashion college we do research on alot of ancient arts, since it’s a part of our curriculum. Moreover, we visit those places and plan how the art and the people associated with those art get acknowledged.

    Liked by 1 person

    • Estou feliz por ter gostado do artigo. Sim, “herança” não pertence a nenhuma nação, mas ao mundo inteiro e todos somos responsáveis ​​pela sua preservação.

      I used Google Translate. Hope I was able to reply to your comment properly. 🙂

      Liked by 1 person

  2. Pingback: 11 incomparable experiences only to be had when in Bhopal | rama arya's blog

  3. As an art historian teaching in an university, I am entrusted with courses dealing with ancient India. I have been to Bagh more than two decades ago as part of an academic excursion. I have known Bagh from the 1927 publication ( I have not been familiar with the images you have published in your blog, and would like to know more details about them.

    Liked by 1 person

  4. Pingback: A Guide To Indian Art - Rooftop

  5. The study appears to be misleading as because the very first copying work done by Asitkumar Haldar, Nandalal Bose & Surendranath Kar on 1921, Jan.- March, the copies of which you may find at Gwalior Archaeological Museum..
    Kindly rewrite the story, otherwise it would be historical blunder.


    • Thank you, Gautam for your comment. What I have written is what is put up at the State Museum in Bhopal where these paintings appear. There is a special gallery dedicated to them. I have not seen the paintings you mention at the Gwalior Archaeological Museum, as I have not yet travelled to Gwalior. Once I do, and speak to the museum authorities there as well, I will definitely fix the errors if required in this post. Thank you for mentioning there is also another such set. Truly appreciated.

      Please also note nowhere have I mentioned that these are the ‘first copies’. The post only talks about JJ School of Art’s involvement in this set of copies which are displayed at the Bhopal museum. 🙂



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