
Mosaic in Batumi Piazza by Georgian-Swiss designer Natalia De Pita-Amirejibi comprises 88,244,735 cut and treated tiles of 1 sq. cm each. The marble for the tiles was sourced from 15 different countries.
Batumi sits on the far western frontier of Georgia, on a pebble-strewn Black Sea coast a mere 20 kilometres away from neighbouring Türkiye. Not many travellers to Georgia make it this far. Which is a pity. The chalk to the rest of Georgia’s cheese, Batumi is an over-the-top Las Vegas-styled sea-side resort in a country known otherwise for its soaring mountains, Soviet remains, rich Orthodox Christian history, and earthy wine.
Brazen, brash, and straight out of Disneyland, Batumi is generous to the curious traveller. It tosses in a Byzantine fortress and a world-famous botanical garden into a quirky mix of fantastical skyscrapers, restored Russian Imperial-era edifices, fabulous outdoor art, mega events, and global cuisine.
Much like it did with me.
I did not know whether I was charmed or perplexed when I first stepped into Batumi. It was everything Georgia was not. And that’s what is its ultimate trump card.
![Alphabet Tower [2012], dedicated to Georgia's UNESCO-listed 33-letter standalone script, mimics the DNA double helix. The rationale behind the design? Georgia's one-of-a-kind alphabet is Georgia's one-of-a-kind DNA.](https://ramaarya.blog/wp-content/uploads/2026/07/batumi-city-4.jpg)
Alphabet Tower [2012], dedicated to Georgia’s UNESCO-listed 33-letter standalone script, mimics the DNA double helix. The rationale behind the design? Georgia’s one-of-a-kind alphabet is Georgia’s one-of-a-kind DNA.
![Fresco of King Tamar [left] with her father King Giorgi III. This fresco in Vardzia is the only surviving portrait of Tamar painted during her lifetime in the 12th Century.](https://ramaarya.blog/wp-content/uploads/2026/07/king-tamar-fresco-1.jpg)








