Iconic Representation in Hinduism | rama toshi arya's blog

A babel of meditative Hindu, Jain, and Buddhist chants fills the gallery. Breaking the rhythmic loop is the tinkle of bells on a dainty anklet wrapped around a goddess’ voluptuous leg. Almost in competition, I hear the stomping of feet as Shiva, the destroyer, dances in passionate abandon, flames emanating in a fiery ring around him. Bharata, Rama’s brother from the Ramayana, a mere couple of feet away, holds up his brother’s sandals on his head to place them on the throne to rule as regent of the Ayodhya kingdom, accompanied by verses from the epic.

“Excuse me.”

The clipped British accent snaps me out of my reverie. And that of the deities too, who freeze mid-dance, mid-song, mid-chant, in sparkling glass cubicles scattered across the air-conditioned hall—lurching the room to pin-drop silence. And I wonder if I had imagined it all. Continue reading →

A nondescript placard on the wall reads: “Buddhist Stupa, 2nd Century BC, Bharhut, Madhya Pradesh.”

I turn around and almost knock into a magnificent red sandstone 9-feet high railing and 23-feet high gateway, teetering in awe at its grandeur and proximity. It is covered profusely with intricate imagery of secular life and Buddhist teachings in 2nd Century BC India. Short inscribed labels in Brahmi script record the names of donors.

The monumental piece is nothing short of breathtaking. Much like everything else in the archaeology gallery of India’s oldest and largest museum, the Indian Museum located just around the corner of Park Street, Kolkata, and built in 1878 by the then British Raj.

Arranged in chronological rather than thematic order, the gallery showcases 1,500 years of India’s sculpture art, from which emanate its various schools and inter-linkages, in a seamless story.

Piqued? Come join me on a virtual tour of this collection under whirring fans, encased in a hot humid corridor in a Doric columned colonial edifice. 🙂 Continue reading →