Some travels are utopian. From brilliant guides to a lack of raucous crowds. From welcoming hotels to incident-free rides. From one-in-a-million experiences to unforgettable random moments. My 5-day solo exploration of Aurangabad and its environs in the month of March this year was one such. Unmarred at every level.
This post is about paying it forward. It is my way of passing on all the wonderful things that made my trip memorable. Perhaps some of these tips and insights could make your journey to Aurangabad just as special as they had made mine.
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Aurangabad is no stranger to travellers. It is the springboard for excursions to the world-famous UNESCO World Heritage Sites of Ajanta and Ellora. It is from here that one usually sets off to explore the one-of-its-kind Lonar Crater Lake, a National Geo-Heritage Monument. Within the city itself are numerous edifices which bookmark key characters and events in India’s colourful history.
Yet, the sleepy town in the heart of the Indian state of Maharashtra seems unmoved by its role in the global tourism arena. Its traffic-free streets breathe at a leisurely pace. Its quiet neighbourhoods hum to a small-town rhythm reminiscent of the time when it was a village that went by the name Khadki. Continue reading →
It was hot. Though still “spring,” the dry earth and parched twigs crackled in the heat under the relentless bleached sun. Nestled in a yawning hollow below me was a murky saline and alkaline lake. There was no path leading down. Just boulders and a smattering of clear patches.
I asked myself what the hell was I doing here.
High on every geologist’s bucket list, Lonar is the only hyper-velocity impact crater in basaltic rock on our earth. It was created some 52,000 years ago by a meteor weighing 2 million tonnes, hurtling at a speed of 90,000 kilometres per hour. Some believe the meteorite is still stuck inside the lake. But I am no geologist. For a devout Hindu, it holds in its folds scores of medieval crumbling stone temples. But I am no devout Hindu either. For the hiker, it is an opportunity to hike down and then up, an attractive enough deviation from the ordinary. Perhaps that was it. Continue reading →
No matter how many incredible photographs or videos you may have seen or paragraphs of eloquent text in guide books and articles you may have read, the real thing will.still.take.your.breath.away.
The Ellora caves are grander and more magnificent, yet full of intricate detailing, than you may ever have imagined.
Three ancient Indian religions are housed here. Three arts converge here. The site, spread over a two-kilometre long basalt massif, is one of the world’s largest rock-cut monastery-temple cave complexes with more than a hundred caves. And if that were not enough, these ‘caves’ were excavated out of living rock over a millennium ago, between 550 and 950 AD to be exact, with chisel and hammer, to create ethereal art and architecture in its wake.
Come, let me take you on a virtual tour of India’s Classical masterpiece and a UNESCO World Heritage Site since 1983. And in the process, inspire you to also make the journey to the Ellora caves in person. For what is life, but moments which take our breath away. 🙂 Continue reading →
Aurangzeb. The very name evokes revulsion in Hindus and Sikhs alike throughout India. The butcher. Defacer of India’s rich Hindu cultural heritage. Murderer of Sikh Guru Tegh Bahadur. These are but a handful of epitaphs the country’s populace remembers Aurangzeb, India’s 6th Mughal emperor by.
His path to power was no less callous—he shed no tears when conniving the cold-blooded execution of his three brothers or when placing his old, frail father under house arrest.
It is 312 years since Shah Jahan’s fanatic son, Aurangzeb (1618 – 1707 AD) has died, but the hatred has not abated one iota. Stories of his cruelty fill school text-books. Nearly every major temple in India has either been mutilated or had a mosque built over it on his orders. The shudders are still there on the mention of his name. I have seen instances of all of these with my own eyes. Continue reading →
If you were ever of the opinion that Buddhist art was all about asceticism and restraint, think again. The caves at Ajanta, in the Indian state of Maharashtra, are a lavish statement to the contrary as I discovered earlier this month on a five-day trip exploring the region in and around Aurangabad. But then, isn’t that what travel is meant to do? Break perceptions. 🙂
Imbued with sensuality borrowed from its sibling, Hinduism, ancient Buddhist art in its parent country is filled with nudes performing graceful mudras, figures wrapped in erotic embraces, and faces marked with raw emotion. Interspersed in this human carnival are serene, silent, meditating Buddhas, perfectly at peace in their company.
The mix of spiritual with secular, ordinary with sublime are common traits in Indian aesthetics. Why then should Buddhist art have been any different! Continue reading →