art focus – three dimensions of divinity – thanjavur art revealed

Posted on May 2, 2022 by Rama Arya

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What can one person do? A lot. Never underestimate the efforts of a single individual.

The above thought kept going inside my head, in a loop, as I was reminded of other feats achieved by individual collectors. Such as Dr. Kelkar’s mind-boggling collection of 21,000 artifacts at the Kelkar Museum in Pune and the Jung family’s quirky walking sticks collection at the Salar Jung Museum in Hyderabad.

Meanwhile, right here in Mumbai, myths, legends, epics, temple layouts, local deities, stories of Hindu gods and goddesses, and 1,300-year-old poet-saints filled the museum walls wherever I looked.

I was standing amidst two centuries of an art style unique to India: The Thanjavur style of painting. Sheathed in jewelled colours and gold leaf, the masterpieces from the classical cities of Thanjavur and Mysuru, glinted and shone in the soft light. Calm in the face of my hard-to-hide awe.

It would be safe to surmise they were used to humans being bowled over by their resplendent beauty. After all, it had been part of their job. They had spent their lifetimes adorning sacred temples and shrines, in the company of gods. Continue reading →

once upon a day in mysore: a one day itinerary of south india’s royal city

Posted on March 23, 2020 by Rama Arya

What if I told you there is a small town in South India which will forever remain your favourite, long after you visit it. What if I told you that in this town, frangipani trees sway gently and history, heritage, art and literature sit in easy camaraderie. That people here are simpler and the sky is bluer. Would the traveller in you jump for it?

I am talking about Mysore, renamed Mysuru, its original name, in 2014.

Less than a million-population live under its green shade of aged fig trees and their sprawling branches. Its wide dusty roads weave their way through a life where nothing much has changed over time.

From 1399 to 1950 Mysore was the seat of the Wodeyar dynasty, rulers of the Kingdom of Mysore except for a brief interlude when Hyder Ali and his son Tipu Sultan snatched the reigns. The Wodeyar family still lives in the Mysore Palace and the dynasty’s legacy permeates the entire town. From its seven palaces, of which two have been turned into museums, to its tutelary goddess perched high up on a hill, to its terraced gardens over the sacred Cauvery river. Continue reading →

srirangapatna, historical capital of tipu sultan: the why, what, where, when, how guide

Posted on March 16, 2020 by Rama Arya

Some 18.5 kilometres to the north-east of Mysore city, on an island called Srirangapatna, lies a dusty town lost in time. Its current worn state belies its glorious past which still reveals itself shyly from behind its weathered structures.

Key historical events have taken place on its softly undulating plains. Larger than life rulers who till date evoke strong emotions made the island the centre of their universe.

Welcome to my guide on Srirangapatna, capital of the 18th Century ruler Tipu Sultan aka the Tiger of Mysore. The Why, What, Where, When and How guide of a town well off the usual tourist circuit, but deeply ingrained in every Indian history book, mass media, world museums and private collections.

[Note: Top image: Detail, Fourth Anglo-Mysore War, 4 May 1799, British East India Company painting.] Continue reading →

travel diaries: in search of shravanabelagola’s bahubali

Posted on February 24, 2020 by Rama Arya

The entire 615 steps carved into the rock’s gleaming surface rose straight above me. No left or right turns. Just straight up, with a rudimentary metal rod for support along its length. Some of the steps were shallow, others steep. All equally worn out under the bare feet of countless pilgrims and travellers over a thousand years. The steps themselves were just as bare under the scorching sun, minus any shade whatsoever.

Only one spiritually legitimate way exists to reach the 58-feet-8-inch-high naked granite monolith of Bahubali Gommateshwara, the inimitable deity-hero in Jainism perched on top of the sacred Vindhyagiri Hill in Shravanabelagola. It is by climbing up these steps.

Though another flight of steps winds its way up on the western side of the 470-feet-high hill, this is the original path cut into the rock by Chavundaraya, a Ganga dynasty minister and commander way back in 981 AD. And by now you know me. It had to be the original path for me. 😀

It was 1 in the afternoon when I reached the minuscule town of Shravanabelagola after exploring the Hoysala temple at Somanathapur. My plan was to use one of the palanquins I had read about to reach the top. But do plans ever go as planned? Continue reading →

poetry, myths and stone: the millennium-old sculpted hoysala temples of karnataka

Posted on February 17, 2020 by Rama Arya

Cries of “Hoy, Sala” [Strike, Sala] rang out as Sala, a Jain youth, single-handed fought a tiger to save his guru. It was around 950 AD, in the Deccan plains of South India. He immortalised this cry in the name of the dynasty he founded—Hoysala—which ruled the region till 1355 AD. The incident became its emblem.

Sandwiched between the Chalukya dynasty in Badami and the ruling Cholas in Thanjavur, Sala and his descendants created a flourishing agrarian empire populated by a sophisticated society, and where the arts thrived. Their capital was Belur, then called Velapuri. Vishnuvardhana [1108 – 1152 AD], the 5th Hoysala king, later moved his capital to Halebidu, 17 kilometres away, where it stayed till the end.

Though Hoysala palaces and homes are long gone, their stone temples still stand. Even time and wars have not been able to diminish their exquisite beauty, a fascinating peek into a by-gone society’s values and aesthetics.

So, if you ever thought all temples in India look the same, think again. Every dynasty and empire in the Indian sub-continent created its own inimitable style through history. Hoysala temples are typified by being star-shaped, compact structures on a raised platform, ornate with a focus on dance and music, and carved out of soapstone. Continue reading →

why tipu sultan’s dariya daulat bagh will take your breath away

Posted on February 10, 2020 by Rama Arya

Two-hundred-and-fifty years ago lived a man renowned for his opulence, and bravery. He was fearless. Nothing scared him. Or perturbed him. He also had a deep abhorrence for the British East India Company and its colonial inroads into India.

His name was Tipu Sultan, ruler of the Kingdom of Mysore. And his capital was Srirangapatna [spelt Seringapatam by the British], an island plonk in the middle of the mystical Cauvery River in present-day Karnataka.

It was to this tiny little, steeped in history, sleepy town that I found myself one day during my Mysore travels. Where.time.stood.still. And there were stories galore. Continue reading →

global travel shot: the durbar hall in mysore palace

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I could never get tired of exploring India. This past week, I stumbled upon a new found love. A love for India’s southern states. I was in Mysore.

The Durbar Hall, also known as Sajje or Dasara Hall, in Mysore Palace is the most photographed room, for a better word, in the city. I had visited the palace earlier, many moons ago, as part of a college educational two-week trip. I remember, distinctively, I had found it kitsch and over the top, and was quick to dismiss it.

I guess I have changed. It is still kitsch, but this time I found beauty in its perfect symmetry. The grandeur, imposing. The stories in its walls – riveting. Continue reading →