What can one person do? A lot. Never underestimate the efforts of a single individual.
The above thought kept going inside my head, in a loop, as I was reminded of other feats achieved by individual collectors. Such as Dr. Kelkar’s mind-boggling collection of 21,000 artifacts at the Kelkar Museum in Pune and the Jung family’s quirky walking sticks collection at the Salar Jung Museum in Hyderabad.
Meanwhile, right here in Mumbai, myths, legends, epics, temple layouts, local deities, stories of Hindu gods and goddesses, and 1,300-year-old poet-saints filled the museum walls wherever I looked.
I was standing amidst two centuries of an art style unique to India: The Thanjavur style of painting. Sheathed in jewelled colours and gold leaf, the masterpieces from the classical cities of Thanjavur and Mysuru, glinted and shone in the soft light. Calm in the face of my hard-to-hide awe.
It would be safe to surmise they were used to humans being bowled over by their resplendent beauty. After all, it had been part of their job. They had spent their lifetimes adorning sacred temples and shrines, in the company of gods. Continue reading
Where gods are celebrated there are usually rulers behind it.
Where there are temples … There are also, thus, palaces.
The Temple Towns of Tamil Nadu were no different.
Most of these palaces have crumbled to the vagaries of time. These are after all a couple of thousand-year-old cities we are talking about. But what remains is mind-boggling. Colossal as if made for giants. Filled with art as if it were the only language spoken and understood.
This is my last post in my Tamil Nadu Temple Town series. I thought it befitting I end it with the spectacular palaces in Madurai and Thanjavur, cities which housed India’s most magnificent temples. These palaces were the last homes of its rulers, a peek into royal life four hundred years ago. Continue reading
This is the part of Tamil Nadu I was most smitten by. Colourful and packed with gods, goddesses, myths and secular life, its gopurams are a peculiar feature unique to the state. True, gopurams or entrance towers are a part of temple architecture across southern India. But in Tamil Nadu, they have a life of their own, larger in design and scale than the overshadowed holy sanctums inside the temple complexes. They are pure art. And I loved them.
I visited scores of temples during my week-long exploration of the southern state’s temple towns. From the incredible Meenakshi Amman Temple in Madurai celebrating the town’s beautiful and gracious patron goddess to the ancient Pillaiyarpatti Temple in Chettinad, site of an electrifying abhishek ceremony of the god Ganesha.
From the Nataraja Temple in Chidambaram, the only Hindu temple to worship Shiva as Nataraja, the Lord of Dance, to Thirukadaiyur Temple on the outskirts of Tranquebar where married couples celebrate their 60th, 70th, and 80th wedding anniversaries for it is renowned to defy death!
From the monumental Sri Ranganathaswamy Temple in Tiruchirappalli, India’s largest functioning temple and a mini-city in itself with a whopping 21 gopurams, to the string of lively temples lining the streets of Kumbakonam where I temple-hopped from one to the other for a different kind of night-life.
Dedicated to various deities, one architectural feature yet bound them all together. Their animated, multi-coloured, towering gopurams. Continue reading
Of all the sagas on colonial rule in India, one stands out apart—for its miniscule scale and perseverance to hold on to its holdings. I am talking about the Danish.
Did you know the Danish colonised India? More importantly, did you know they colonised not one, but three disparate and far apart locations for over 200 years. These were Serampore [near Kolkata], Nicobar Islands [of Andaman and Nicobar Islands], and Tranquebar.
My post is about the last one in this list. Tranquebar, or Trankebar as the Danes called it, on Tamil Nadu’s Coromandel Coast. A patch of “5 miles by 3 in extent” which they ruled from 1620 – 1845 and was their capital city in this part of the world.
I was on a week-long exploration of the temple towns of Tamil Nadu in early-March this year. Tranquebar was a breath of fresh sea-air in the mix. One I was determined to include.
All that remains of this once bustling trading post is a series of sand-washed forlorn monuments hugging the coast, and Danish memories. Five memories to be precise. Happy time-travel to Danish India. 😊 Continue reading
India is full of surprises. Do you agree?
There are the usual suspects in India’s travel mix: Temples, forts, palaces, beaches, the Himalayas, and wildlife reserves. Throw in some yummy food, colourful festivals and yoga, and one may well be duped into believing—India, aah! Been there, done that.
Then, almost out of the blue, is a collection of around 75 sleepy villages in southern Tamil Nadu filled with uber-rich villagers’ mansions dating from the 1850s to 1940. Often filled with a hundred-odd rooms, they span across two streets in the neat grid plans which swathe the villages.
On their walls are massive mahogany framed mirrors all the way from Belgium while the floors are decorated with dainty English ceramic tiles spangled with roses, hand-made Athangudi tiles and Italian marble. Smooth Burmese teak pillars hold up ceilings from which enormous sparkling Venetian Murano glass chandeliers dangle. Continue reading
The lady next to me, wrapped in a fuchsia pink sari and fragrant white jasmine flowers tucked into her plait, gently tugged her ears and patted her cheeks repeatedly. This was accompanied with murmured mantras under her breath. There was absolute love and wonder in her eyes as she stared at the gigantic lingam in the ancient sanctuary in front of us. I turned around and lo behold, everyone around me was doing exactly the same!
So as not to look downright ignorant or disturb the others, I asked the busy priest in hushed tones what the gesticulations meant. He replied with a bemused smile and booming voice, “They are praying.”
Nothing has changed in the temple towns in Tamil Nadu. Neither the rituals, mantras, towering granite edifices, or the hand gestures. A thousand years ago when the Brihadisvara Temple in Thanjavur was built by King Rajaraja Chola I, the devotees most likely stood just like this, pulling their ears and tapping their faces. Every cell of their beings focussed on the lingam, and through it on Brahman, the universal fundamental Hindu truth. Continue reading
Meaning ‘End of Bow’.
It is 5:30 am and the alarm on my phone wakes me from my deep slumber with its cacophonic ring. I had slept late last night after taking part in an elaborate ritual at the 12th Century Madurai Temple which drew to a close only around midnight.
Known as the Palliarai pooja, the hour-long event saw the faithful escort Shiva from his shrine to that of his consort Meenakshi’s to spend a night of love-making. A ritual that has taken place every night uninterrupted for the past hundreds of years in the temple’s inner sanctums.
It was slowly dawning on me that in this part of the world common folks honoured their gods with much affection and awe. They were never separate or divided from them. Even their gods’ emotional and sexual desires were fondly celebrated. But more of all that in another post.
Today, I am on my way to Pamban Island connected by a road and railway track over the Bay of Bengal and Arabian Sea. On to India’s international border with Sri Lanka under a radiant blue sky, surrounded on three sides by equally radiant blue oceans. My destination is a tiny patch where land, sea and sky meet, and where one of Hindu mythology’s most significant events took place, at a distance of 192 kilometres south-east of Madurai. Continue reading
My beloved mom on our long-distance WhatsApp call: “You have just come back from Mysore!”
Me: “The temple towns of Tamil Nadu are a world apart.”
My beloved mom: “Why don’t you go later, say in April?”
Me: “Nooooo. That will be too late!”
I often have conversations like the above with my mom. She is a homebody. I am usually looking for the next travel adventure.
This time it was no different. Wrong, it was different.
When I said it will be “too late” I had no idea that barely two weeks after my return from a 7-day exploration of the temple towns of Tamil Nadu, the world would be turned completely topsy-turvy by a virus called COVID-19. Especially my own city, Mumbai. Curfews. Lockdowns. Flights, trains, buses, cabs—all services cancelled. I have been living, like others in the Maximum City which never sleeps, in self-isolation since the 22nd of March. No one in my gated community is allowed to step out of one’s main doors. Today is the 9th day. Continue reading