The image above is that of an antelope in a forest, next to a trap waiting to catapult it to its death. Nope. This is not somewhere in the interiors of France or Spain, more commonly associated with prehistoric art, or even in Bhimbetka where India’s prized rock art collection lies.
It is instead on the insides of a cave lining a tributary of the river Chambal in Gararda, Rajasthan, 35 kilometres from Bundi, my base a fortnight ago.
Painted 15,000 years ago in mineral colours, very few people know of it. Just a handful come from the far corners of the world to marvel at its beauty, and timelessness.
And if it were not for a local sweetmeat-shop-owner-turned-archaeologist, we would not know of it either. He discovered the site in 1997 and has passionately been creating awareness of it ever since, unearthing 101 caves festooned with prehistoric art to-date. His name is Kukkiji. Continue reading
When you are one of the richest men in the world, a ruler of a princely State where diamonds are measured in kilograms and pearls by acres, and have an obsession for fine clothes, lots of fine clothes—this is what your wardrobe looks like. 🙂 Continue reading
“Look up, at the ceiling.” I am broken from my reverie, as I drift through a forest of 172 stone pillars, by my guide Manoj’s voice prodding me to halt in my tracks and raise my eyes, heavenwards.
High up, inside a dome above the main mihrab is the most exquisitely carved sculpture I have seen to date. And I find myself gasping in awe. Is this for real? I am not too sure what stuns me more. Its immense size, the fineness of the swirling leaves, or its incongruous placement—I am in a 500-year-old mosque in Champaner in Gujarat, 50-odd kilometres outside Vadodara, and the sculpture is Hindu-Jain in style and content. Continue reading
Welcome to my Pune series.
I decided to start my collection of posts on Mumbai’s less glamorous neighbour with the story of the above deity, Dagdusheth [Halwai] Ganpati. It reflects, perhaps most aptly, the depth of Pune’s cultural heritage in its seemingly commonplace everyday places—a heritage which is felt many times over at a pan-national level. Don’t believe me? Read on. 🙂
At first glance the effigy appears to be merely an oversized kindly Ganpati, Maharasthra’s most loved god, and the remover of obstacles. Covered in 8 kilograms of gold, and insured to the tune of US$150,000, the Ganpati is a devotee’s gift to the city and birthplace of the annual Ganeshotsav [Ganesh festival]. Continue reading
When the bus dropped me off at Auschwitz II–Birkenau—a former German Nazi concentration and extermination camp on the outskirts of Krakow in Poland—on a summer day in 2012, I was not sure what to expect.
I was no stranger to scenes of debased humanity, having wandered through the Killing Fields in Cambodia, and explored the corridors of Robben Island in South Africa. I knew I would see pain, suffering, and the manifestation of an absolute ruthless version of humankind. But to what extent and how it was mourned 70 years on in Auschwitz II–Birkenau gave me both the jitters and hope. It still does. Continue reading
You may well say, Aah, I have seen this sculpture before. That is, if you are a museum buff. Wrong.
Allow me to make a confession. I often find myself torn between awe at the cultural treasures with which India bursts at its seams with, and angry at the apathy, neglect and state of degradation in which many lie. I know I am not alone in this conflict.
Exactly a year ago I visited the sculpture gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, formerly known as the Prince of Wales Museum of Western India. Like very many others, I fell in love with one piece. Continue reading