a travel guide to the vietnam war

This post is not a political article. It is a travel feature. But to fully understand certain places in our world, it becomes essential to know their political contexts. Why they are the way they are. The answers are invariably in their political history. Such is the case for South Africa, Israel … and Vietnam.

A major event in world history, what the world refers to as the Vietnam War, the Vietnamese call the American War, and history books call the Second Indochina War. But this war actually has four perspectives: That of North Vietnam, South Vietnam, America, and the world at large. Also, this war was not just between Vietnam and America, but between North and South Vietnam as well.

Confusing? Read on.

The photo that stopped the war: Pulitzer prize-winning photograph 'The Terror of War,' also known as 'Napalm Girl,' Associated Press, 8 June 1972. [War Remnants Museum, Ho Chi Minh City]

The photo that stopped the war: Pulitzer prize-winning photograph ‘The Terror of War,’ also known as ‘Napalm Girl,’ Associated Press, 8 June 1972. [War Remnants Museum, Ho Chi Minh City]

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72 hours in ho chi minh city

Aah, the buzz of Ho Chi Minh City, better known simply as HCMC, as thousands of scooters whiz past towering colourful tube-houses. Whether you are here in search of elegant Saigon or Uncle Ho’s namesake, looking for Vietnamese modern art or Soviet brutalism, fancy a street-side noodle soup or the perfect quiche in a quiet patisserie, you won’t be disappointed in this fastest growing city on Vietnam’s southern end sliced by the Saigon river.

No other south-east Asian city has quite captured the imagination of travellers the way HCMC has done. And continues to do.

Part of a unified Vietnam under the Nguyen Lords and Nguyen Dynasty, the city on the fringes of the Mekong Delta became a French colonial stronghold from 1862 to 1954. Next in line was its role as the capital of US-backed South Vietnam. After being ripped apart by decades of war, the city finally fell to communist North Vietnam on 30 April, 1975, paving the way for a re-unified nation.

On 2 July 1976, Saigon was renamed Ho Chi Minh City, as a mark of respect to the man who had dreamt of a free and reunited Vietnam, and the dream that came true.

The city has seen it all, at close quarters. Yet there is no bitterness or anger or melancholy whatsoever. No vengeance or self-pity. Instead, it seems to waltz better, with a more experienced step and twirl.

One could easily spend a week in this frenzied fast-paced populous city which never seems to sleep, and still not be bored of it. Where does one start? How about 72 hours to see the best it has to offer? And then maybe a few more days to relish it further. ❤️

[Title photo: Detail, Central South and North Spring Garden by Nguyen Gia Tri, Lacquer on Wood, 540 cm x 200 cm, 1969 – 1989, HCMC Museum of Fine Arts.]

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vietnam’s capital hanoi, stories told and untold

A thousand years of Chinese rule, followed by a thousand years of independence. Except for a misfit seventy years under the French, somewhere in-between.

Hanoi’s story is like no other.

After being a Chinese territory from 179 BC onward, it finally threw off the yoke in 1010 when the first indigenous Vietnamese dynasty [Ly Dynasty] made Hanoi its capital. Since then, multiple local dynasties stuck to the tradition, apart from the Nguyen dynasty who moved their capital to Hue. The later French occupation followed suit, and chose Saigon in the south as their base, but made Hanoi capital of French Indochina from 1902 to 1945.

By the time Hanoi took back its mantle of being a political and administrative seat in 1954, Vietnam had ousted the French and part of the country was communist. Today, Hanoi is the capital of one of only five officially communist countries in the world, balancing Marxism-Leninism socialism with a market-oriented economy.

The result of this eclectic past and present has created a culturally rich city where contradictory layers coexist. Ancient Confucian temples, Buddhist pagodas, and a sprawling royal citadel which doubled up as both a medieval fortress and a 20th Century war bunker. Colonial houses replete with wooden shutters and a towering French stone cathedral, surrounded by local eateries jostling for space on footpaths and railway tracks. A communist-styled marble memorial for an embalmed ‘Uncle Ho,’ and sombre Lenin statue in a city square. It would not be too far off the mark to say there is something for every ideology in Hanoi!

Small wonder then that there are stories galore in this Vietnamese city tucked away in the country’s north. Some repeated often. Some which only the locals know. And some, midway between the two, which intrepid curious travellers stumble upon.

Shall we begin? 🙂


Hanoi’s most iconic landmark is the Ho Chi Minh Mausoleum where visitors silently file past the embalmed corpse of Vietnam’s beloved Uncle Ho. If it was not for him, the French may not have left or the country not united. He had wanted a simple cremation after his death. Instead, he got a gigantic marble mausoleum, like those accorded other communist stalwarts: Lenin and Mao. Continue reading

travel guide: hue, capital of vietnam’s last royal dynasty

Welcome to my travel guide on royal Hue.

Often reduced to an overnight visit enroute to colourful Hoi An or sidelined completely for Vietnam’s buzzing metropolises and beach cities, Hue is where Vietnamese history and culture bask in full authentic glory.

For 143 years, from 1802 to 1945, the city on the banks of the Perfume river in the middle of the country served as the capital of the Nguyen dynasty, Vietnam’s last royal ruling family. Prior to this, Hue had been the capital of their predecessors—the Nguyen Lords, a feudal noble clan, since 1558.

The Nguyen empire marked a period of dramatic flux in the country’s history. Starting off as an isolationist Confucianism-driven kingdom of unified Viet Nam, it morphed into a military might to reckon with, on to an eclectic marriage of European and Vietnamese cultural elements, before being ousted in 1945.

Thirteen Nguyen emperors ruled from Hue’s Imperial Citadel during these years—a fortress-cum-administration centre-cum-royal residence. It is where military decisions to conquer neighbouring lands, followed by agreements to relinquish the same lands to French colonial rulers were drawn and sealed.

In and around the city, seven of Hue’s 13 emperors designed and built their grand tombs to be remembered by. These reflected not just their personalities, philosophies, and aspirations as rulers, but also the prevailing geopolitical scenarios.

Whilst the UNESCO-listed Imperial Citadel and royal tombs took care of the Nguyen emperors’ lives and afterlives, patronage of spiritual places continued unabated. An age-old royal practice, it ensured the gods were kept happy and added a touch of divinity to dynastic rule.

Yes, Hue has all this and even more!

Dear Reader, I hope you find this travel guide useful as I take you along Hue’s imperial history, connecting its rich and varied monuments to the city’s incredible story. ❤

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travel diaries: in search of champa, vietnam’s ancient hindu kingdom

It is still dark. The sun, groggy-eyed as it squints through the heavens punctuated by a sole star.

I am on my way from Hoi An to My Son Sanctuary—the temple ruins of an ancient Hindu kingdom which called this part of Vietnam home for 1,600 years. You may ask, but why so early? Because some places are best seen at sunrise. When it is just them, you, and the centuries of silence in-between. This silence then starts talking, regaling stories. Some voraciously. Some hinted at with a smile. Don’t you agree? 😊

An hour later, walking through the site’s lush green meadows, I pass scores of my country-folks. Perplexed, I am about to stop one of them and ask the reason, when a large placard explains their presence. They are archaeologists from the Archaeological Survey of India carrying out restoration work in association with the Vietnamese government. It makes sense. Who else could understand the remnants of a millennia-old Hindu kingdom better, even if it wore a different mantle on a foreign ground.


My Son Sanctuary, a UNESCO-listed World Heritage Site, is one of the most important ancient religious sites in south-east Asia. Continue reading

travel shorts: dragons of the unesco-listed ha long bay and trang an landscape

Once upon a time, thousands of years ago, Vietnam’s hamlets on its east coast were in grave danger. A fleet of foreign invaders were approaching. Defeat seemed imminent. They called upon Jade Emperor, the supreme deity in Taoism, in desperation.

In answer to their prayers, he sent the Mother Dragon to help them. She and her children plunged into the waters spewing fire, jade, and emeralds to ward off the enemies. These jewels instantly solidified into 1,133 sea mountains spread over 65,650 hectares creating an impregnable barrier on the sea. With the invaders now battered and trapped in the rocky outcrops, the Vietnamese were able to drive them away.

This mythical place came to be known as Ha Long Bay. Meaning ‘Bay of the Descending Dragon.’ It was listed as a UNESCO World Heritage Site in 1994. No, not because of the dragons, but for its unique geological formations and marine landscape.

What happened to the dragons? They decided to stay on in the mortal world and continue to guard the Vietnamese.


Welcome to Ha Long Bay. My table with a view. 🙂 Continue reading

global travel shot: hanoi’s train street

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Think Vietnam, think Hanoi and the one place that might spring to mind [courtesy all the endless social media reels and selfies] is Train Street. Been to Hanoi and not been to Train Street? Shucks, the Hanoi visit does not count then. What is of more critical import nowadays though, warranting endless threads, is the do-or-die question: Is Train Street open?

For the uninitiated, Train Street is a 0.85-kilometre-long narrow road lined with open-air cafés in Hanoi’s Old Town in which railway tracks slice through a busy neighbourhood. At regular intervals trains whistle past, forcing households, café-owners, and their guests to stow furniture away and huddle behind doors. Once the train has gone, life carries on as usual—right next to the tracks, and yes, over the tracks.

Following a series of incidents caused purely out of tourists’ own negligence, access to Train Street has been closed with frowning security guards now resolutely seated behind bulky barriers.

But remember it is a ‘Street.’ Hence, there are still parts that can be accessed. For instance, in Google Maps, instead of ‘Train Street,’ if you type in ‘Train Street Coffee,’ voila, you will be in the company of travellers who had managed to crack the code. Sipping Vietnamese coffee, seated right next to the tracks. Please, however, do follow the rules. Which translate to: duck when the train arrives; it is not selfie time. 🙂

PS. Yes, I did see the train pass. Five minutes before I took the above picture!

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[Note: This blog post is part of a series from my travels to Vietnam for three weeks in March 2025. To read more posts in my Vietnam series, click here.]

photo essay: hoi an, vietnam’s unesco-listed city of lanterns

Imagine a whole town swathed in deep red and yellow silk lanterns. Across tree-lined streets and narrow alleys, on shopfronts and cutesy cafes. A centuries-old town with yellow tube houses that stretched between lanes, and a wide placid river that gently lapped against its banks.

If during the day Hoi An is a fairytale, at night it is as if those very fairies had waved a wand and created magic. Don’t be surprised if you catch yourself wondering if it was all for real. After all it is the 21st Century. How did this exquisite time capsule manage to survive. Especially one that was authentic, and not contrived.

Frozen somewhere in the 17th and 18th Centuries, UNESCO-listed Hoi An’s very name recounts its story. Hoi An means the ‘peaceful meeting place.’ Four hundred years ago, this idyllic riverside town became an international trading port in southeast Asia. Merchant vessels and traders from Japan, China, Europe, and India converged on its waterfronts and streets exchanging goods and ideas. Hoi An was their ‘peaceful meeting place.’

However, when neighbouring Da Nang started to grow as a port in the 19th Century, Hoi An’s fortunes fell and the town was forgotten. No one saw any merit in pumping money into building over its yellow trading tube homes and colourful assembly halls in the name of development. It was this very neglect which turned out to be Hoi An’s blessing in disguise and the reason for its revival, thanks to help from a completely unexpected quarter—Kazimierz Kwiatkowski, a Polish architect and conservationist.

If Hoi An is on every traveller’s bucket-list today, it is because Kwiatkowski spent years towards getting it listed as a UNESCO World Heritage Site. Hoi An never forgot the favour. A memorial in his honour stands in Kazik Park in the Old Town today.

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caodaism — vietnam’s home-grown religion of kitsch, pluralism, and unity

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It is mid-day, somewhere in southern Vietnam, 80-odd kilometres from Ho Chi Minh City in Tay Ninh province. I am seated cross-legged inside a cavernous colourful ‘cathedral,’ on the fringes of a 99-year-old hypnotic performance of chants and rituals carried out by hundreds of solemn, serene-faced white-robed disciples.

Teal dragons, in contrast, wrap around soaring pink columns. Their candy red and white tongues stuck out mid-air. Above me, a ceiling recreates the heavens, punctuated with coiled snakes and flowers. Triangles with rays emanating from eyes adorn the windows and facades.

Rich in symbolism, every form and colour in the Cao Dai Holy See represents a belief or value mandated by divinity. Nothing is redundant here.

After all, there is enough inspiration. Vietnam’s very own monotheistic syncretic religion fuses together Buddhism, Confucianism, Taoism, Roman Catholicism, and ancestor worship, with a generous douse of seance [talking to spirits of the dead] into an eclectic mix guided by principles of harmony and simply doing good.

Overlooking this fantasyland are effigies of the first group of Cao Dai spirit mediums who ‘God’ identified himself to on Christmas eve in 1925. On the other end is the Bat Quai Dai altar. The most sacred part of the cathedral, it comprises a large sphere with a left ‘Divine’ eye painted on it, surrounded with religious paraphernalia. The eye represents the all-seeing supreme god Duc Cao Dai who is the universe which lives in all creation.

Not to be construed as an offshoot of any of the religions in its mix, Caodaism, born out of nationalism, was recognized as an independent religion on 7 October 1926 by Vietnam’s French colonial rulers. Officially known as The Great Faith for the Third Universal Redemption, the Holy See in Tay Ninh is its largest place of worship.

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