It is as if a rainbow had burst and spread its colour, both over vast mounted canvases and minute egg tempered paper boards, alike. I stand in the grey walled halls of Chemould Prescott Road and blink. And then gawk.

As I step closer, yet another world unfurls—a satire rooted in broadsheet cartoons morphed into the artist’s personal commentary on recent social and political events and personalities in India. I recognize Arvind Kejriwal, Manmohan Singh and Narendra Modi. I see athletes and war zones, Jesus Christ and Hindu priests. Continue reading →