bhimbetka—the prehistoric rock art wonders of india

Every time I think I am “different” as a generation or a nationality, I am reminded of how alike I am to my ancestors and to those in other geographies. There is nothing unique about me. Nothing at all. But it is not really such a bad thing at all—this commonness or ordinariness of human existence—for it creates a bridge which spans time and space.

Okay, let me explain. I too record my life around me because I am consumed by a need to do so. And so did my prehistoric ancestors. I too express my joys and fears, and so did they. And so do you, dear reader, sitting in another city, another country. And so did your prehistoric ancestors in South Africa or France or the USA.

When looking at it from today’s digital lens, it comes as no surprise. But when one sees it from a stage set 10,000 years ago, it is a wonder how prehistoric people in disparate communities around the globe were expressing themselves in a similar way, using the same forms and tools, no matter where they lived and whom they were with. And we, in 2018 are to a large extent, the same as them. Continue reading

photo essay: in search of bundi’s prehistoric rock paintings

Destination, or the journey? In travel, it is often hard put to distinguish between the two.

When I went to Bundi in Rajasthan a fortnight ago, I had no clue that merely 30 kilometres south of the town were 101 sites of prehistoric rock art painted 15,000 years ago. They were discovered by a one Mr. Kukkiji in 1997, who was to take me to the sites himself. What I knew less of was the charms of the paintings’ backdrop—the insides of caves lining tranquil wide rivers, on whose lush shores the Bhil, an Indian Adivasi tribal had made their homes. Continue reading