Every time I think I am “different” as a generation or a nationality, I am reminded of how alike I am to my ancestors and to those in other geographies. There is nothing unique about me. Nothing at all. But it is not really such a bad thing at all—this commonness or ordinariness of human existence—for it creates a bridge which spans time and space.
Okay, let me explain. I too record my life around me because I am consumed by a need to do so. And so did my prehistoric ancestors. I too express my joys and fears, and so did they. And so do you, dear reader, sitting in another city, another country. And so did your prehistoric ancestors in South Africa or France or the USA.
When looking at it from today’s digital lens, it comes as no surprise. But when one sees it from a stage set 10,000 years ago, it is a wonder how prehistoric people in disparate communities around the globe were expressing themselves in a similar way, using the same forms and tools, no matter where they lived and whom they were with. And we, in 2018 are to a large extent, the same as them. Continue reading →
Bundi. The very name is evocative. Translated literally it means sweetened, fried chickpea flour—a snack indigenous to Rajasthan. When applied to a small, sleepy, powder-blue painted town nestled in a deep gorge surrounded on three sides by the Aravalli hills with a spectacular fort and palace looming over it, it becomes synonymous with one of India’s best kept secrets. A secret with myriad secrets within its folds.
Founded by a gentleman of the Meena tribe who went by the name Bunda, it was annexed by Rao Deva Hada in 1342, founder of Bundi [the princely state] and Hadoti [land of the great Hada Rajputs]. Friends with the Mughals and thereafter, the British Raj, it retained its princely status till 1947. Not many venture into Bundi; neither today nor in the past.
Here are five secrets I discovered in Bundi which make it the treasure trove that it is. If you know of more, please do share in the comments section. 😊 Continue reading →
Destination, or the journey? In travel, it is often hard put to distinguish between the two.
When I went to Bundi in Rajasthan a fortnight ago, I had no clue that merely 30 kilometres south of the town were 101 sites of prehistoric rock art painted 15,000 years ago. They were discovered by a one Mr. Kukkiji in 1997, who was to take me to the sites himself. What I knew less of was the charms of the paintings’ backdrop—the insides of caves lining tranquil wide rivers, on whose lush shores the Bhil, an Indian Adivasi tribal had made their homes. Continue reading →
The image above is that of an antelope in a forest, next to a trap waiting to catapult it to its death. Nope. This is not somewhere in the interiors of France or Spain, more commonly associated with prehistoric art, or even in Bhimbetka where India’s prized rock art collection lies.
It is instead on the insides of a cave lining a tributary of the river Chambal in Gararda, Rajasthan, 35 kilometres from Bundi, my base a fortnight ago.
Painted 15,000 years ago in mineral colours, very few people know of it. Just a handful come from the far corners of the world to marvel at its beauty, and timelessness.
And if it were not for a local sweetmeat-shop-owner-turned-archaeologist, we would not know of it either. He discovered the site in 1997 and has passionately been creating awareness of it ever since, unearthing 101 caves festooned with prehistoric art to-date. His name is Kukkiji. Continue reading →