This was the one thought which kept flashing through my mind the day I came face-to-face with A. Ramachandran’s art.
One of India’s leading contemporary artists, when Ramachandran [b. 1935], a native of the South Indian state of Kerala and alumnus of Santiniketan started painting, the world he saw around him was a sad, painful one filled with conflict and anguish. It was post-1947 and India was reeling from the aftermath of the partition whilst the world at large still carried the wounds of World War II. Continue reading →
“I do not care whether my paintings are good or bad. I want its appearance to be different.”
~ Jamini Roy
And different it is. Not different for the sake of being different, but different as in an expression of his authentic self. Jamini Roy (1887-1972), popularly conferred with the title of father of Modern Indian Art was from Beliatore village in Bankura, West Bengal. His art is his revisits to the simplicity and purity of his rural roots. He is not an outsider here ‘looking into’ rural India. He is the insider, painting his own familiar, much-loved world. Continue reading →
Indian contemporary art has come a long way in the last decade, distinctive in its blend of Indian subjectivity and international sensibilities. A landmark in this journey for the modern art enthusiast, and the sports fan in this case, is its current foray into the space of cross-disciplinary creativity. Continue reading →
Self Portrait – the many faces of Amrita Sher-Gil, demure Indian, bohemian European (1930)
“It seems to me that I have never began painting, that I have always painted. And I have always had, with a strange certitude, the conviction that I was meant to be a painter and nothing else. Although I studied, I have never been taught painting in the actual sense of the word, because I possess in my psychological makeup a peculiarity that resents any outside interference. I have always, in everything, wanted to find out things for myself.” ~ Amrita Sher-Gil