art focus – experiments with pencil, print, paper – nandini bagla chirimar

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“Why do I draw?” Nandini Bagla Chirimar, a New York based mixed media artist, echoes my question with a peal of laughter, her eyes shining behind her neon pink glasses. “My art is a personal diary of my life—as a mother, daughter, home-maker and Indian artist living in New York—a lot of it is autobiographical,” she tells me, sipping her mint lemonade, her head slightly tilted in reflection.

“I would call them a visual form of my daily thoughts and feelings. Thoughts and feelings are not ‘real’, right? They’re just there in our heads and hearts. But once I give them a visual form, they become tangible. I feel like I have created a new reality, a reality of the inner me.” We are in a tea cafe in Lower Parel, having just had a dekko at her piece currently exhibiting in The Loft, Mumbai.

Nandini’s work is unlike any I have seen before. It is acutely personal, layered, and uses a mix of mediums and techniques to create an inimitable form of ethereal beauty. And depth. It takes the viewer deeper and deeper into an unseen world, and as you mentally peel away the gossamer thin layers of Japanese Kozo paper covered with paintings, etchings and drawings stacked upon each other, it unveils a reflected world in ourselves. Through her personal experiences one ends up exploring larger phenomenon which none of us are immune to—migration, identity, relationships, grief, death, and memories. Continue reading

art focus – rockscapes and mindscapes – vinod sharma

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“No, there is no story to my art. My work is not even titled.”

“But you call it rockscapes, and I have heard you at times refer to them as mindscapes?”

Vinod Sharma laughs out aloud, and with a twinkle in his eye explains how his professor at Delhi College of Art coined the terms, albeit in passing.

“I just paint for the sheer joy of it. There is no other reason behind my delineations. There are no moral lessons. No deep revelations from my side. It is only personal joy.”

Sharma, originally from Delhi, has been painting his monumental monochromatic canvases—sophisticated in execution and mystical in content—for over two decades now. What started off as landscapes framed by windows later gave way to sceneries swathed in trees and people, and finally morphed into the present skeletal forms of the earth’s surface where Sharma got rid of all trappings and borders, for keeps. Continue reading

art focus – a summer mix – chemould prescott road

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There is the office ID card, the fancy pen, loose change, cell phone, a hand written note. Closer inspection brings to the fore yet further details: the worn Tee, crisp office linen shirt, the crumpled uniform, and slowly the faceless personalities defined by their shirt pockets fill the gallery, and I am in their midst.

Every now and then a spray of raindrops showers the city outside, taking no one by surprise. I am at A Summer Mix, Chemould Prescott Road, an exhibition of 15 gallery artists’ personal commentaries, on a grey monsoon clad day. Continue reading

art focus – journey to the roots – jamini roy 1887-1972

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“I do not care whether my paintings are good or bad. I want its appearance to be different.”
~ Jamini Roy

And different it is. Not different for the sake of being different, but different as in an expression of his authentic self. Jamini Roy (1887-1972), popularly conferred with the title of father of Modern Indian Art was from Beliatore village in Bankura, West Bengal. His art is his revisits to the simplicity and purity of his rural roots. He is not an outsider here ‘looking into’ rural India. He is the insider, painting his own familiar, much-loved world. Continue reading

art focus – deconstructed innings: a tribute to sachin tendulkar – tenart

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Indian contemporary art has come a long way in the last decade, distinctive in its blend of Indian subjectivity and international sensibilities. A landmark in this journey for the modern art enthusiast, and the sports fan in this case, is its current foray into the space of cross-disciplinary creativity. Continue reading