“No, there is no story to my art. My work is not even titled.”
“But you call it rockscapes, and I have heard you at times refer to them as mindscapes?”
Vinod Sharma laughs out aloud, and with a twinkle in his eye explains how his professor at Delhi College of Art coined the terms, albeit in passing.
“I just paint for the sheer joy of it. There is no other reason behind my delineations. There are no moral lessons. No deep revelations from my side. It is only personal joy.”
Sharma, originally from Delhi, has been painting his monumental monochromatic canvases—sophisticated in execution and mystical in content—for over two decades now. What started off as landscapes framed by windows later gave way to sceneries swathed in trees and people, and finally morphed into the present skeletal forms of the earth’s surface where Sharma got rid of all trappings and borders, for keeps. Continue reading →
Left: Naina Kanodia; Right: Prakash Waghmare. Both works untitled. Both stalwarts of India’s contemporary art scene
Reconnecting with art, albeit once a month, has become a much loved self-love ritual for me over the years. A ritual I have been fortunately able to carry through in my life in Mumbai. The contemporary art scene in India is pulsatingly alive, brimming with both stalwarts and newcomers alike. And never was it more obvious than during a recent afternoon spent at the Jehangir Art Gallery. Continue reading →