art focus – three dimensions of divinity – thanjavur art revealed

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What can one person do? A lot. Never underestimate the efforts of a single individual.

The above thought kept going inside my head, in a loop, as I was reminded of other feats achieved by individual collectors. Such as Dr. Kelkar’s mind-boggling collection of 21,000 artifacts at the Kelkar Museum in Pune and the Jung family’s quirky walking sticks collection at the Salar Jung Museum in Hyderabad.

Meanwhile, right here in Mumbai, myths, legends, epics, temple layouts, local deities, stories of Hindu gods and goddesses, and 1,300-year-old poet-saints filled the museum walls wherever I looked.

I was standing amidst two centuries of an art style unique to India: The Thanjavur style of painting. Sheathed in jewelled colours and gold leaf, the masterpieces from the classical cities of Thanjavur and Mysuru, glinted and shone in the soft light. Calm in the face of my hard-to-hide awe.

It would be safe to surmise they were used to humans being bowled over by their resplendent beauty. After all, it had been part of their job. They had spent their lifetimes adorning sacred temples and shrines, in the company of gods. Continue reading

india’s classical masterpiece: the ellora caves

Be prepared to be bowled over.

No matter how many incredible photographs or videos you may have seen or paragraphs of eloquent text in guide books and articles you may have read, the real thing will.still.take.your.breath.away.

The Ellora caves are grander and more magnificent, yet full of intricate detailing, than you may ever have imagined.

Three ancient Indian religions are housed here. Three arts converge here. The site, spread over a two-kilometre long basalt massif, is one of the world’s largest rock-cut monastery-temple cave complexes with more than a hundred caves. And if that were not enough, these ‘caves’ were excavated out of living rock over a millennium ago, between 550 and 950 AD to be exact, with chisel and hammer, to create ethereal art and architecture in its wake.

Come, let me take you on a virtual tour of India’s Classical masterpiece and a UNESCO World Heritage Site since 1983. And in the process, inspire you to also make the journey to the Ellora caves in person. For what is life, but moments which take our breath away. 🙂 Continue reading

a 1,000-year-old royal couple’s expression of love and piety: modhera and patan

Do you like stories? I do. A lot. 🙂

Especially stories of those who live larger-than-life lives in spirit and feat.

This post is the tale of one such story—of a king called Bhimadeva I and his lovely, loving queen Udayamati, who lived a thousand years ago. And no, it is no myth. There are colossal monuments they left behind as testimony of their love and piety, as I discovered one sunny wintry day I travelled 75 kilometres north-west of Ahmedabad in Western India, in the state of Gujarat.

Come, let me tell you more.

Son of Agni, the fire-god’s, Sun Temple of Modhera

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secrets of south bombay’s parel queensway

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The stories and secrets Bombay holds in its folds behind its crumbling Victorian edifices and chaotic traffic spans centuries. Of all the streets which cover the city in a tangled web, Queensway, a road that leads through Parel in South Bombay, is perhaps the richest in terms of history and also the least to have divulged its mysteries.

A two and a half kilometre stretch, the wide boulevard lined with towering trees contains 19th Century temple courtyards, odes to the Indian Independence Movement, stories of magnanimous philanthropy, and an open air museum of Indian sculpture traversing 1,600 years. And if you did not know, you would not even come close to guessing they exist. Continue reading

global travel shot: the unknown 5th century shiva saptamurti in parel

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You may well say, Aah, I have seen this sculpture before. That is, if you are a museum buff. Wrong.

Allow me to make a confession. I often find myself torn between awe at the cultural treasures with which India bursts at its seams with, and angry at the apathy, neglect and state of degradation in which many lie. I know I am not alone in this conflict.

Exactly a year ago I visited the sculpture gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, formerly known as the Prince of Wales Museum of Western India. Like very many others, I fell in love with one piece. Continue reading