Buddha Relics | rama toshi arya's blog

By oneself indeed is evil done and
by oneself is one defiled, by oneself
is evil not done and by oneself is one
purified. Purity and impurity
depend entirely on oneself; no one
can purify another.

~ Dhammapada, Verse 165

The story of Buddha’s Piprahwa relics is as unusual as the story of the man himself—a 6th/ 5th Century BCE prince, Siddhartha Gautama from the Indo-Gangetic plain, who renounced worldly life and possessions to find a faith built on compassion and self-discovery.

Throughout his life, he was adamant he be treated only as a teacher and not God. Because there was no God. Only our karma.

When Gautama Buddha [a Sanskrit term meaning the ‘enlightened’ or ‘awakened’ one], passed away in Kushinagar, his bodily remains were divided into eight initial portions amongst North India’s kings to be interred in stupas.

The part that went to his own clan, the Sakyas of Kapilavastu, was buried in a gigantic stupa in Piprahwa, close to Lumbini, his birthplace. Two centuries later, the newly converted Mauryan Emperor Ashoka added an offering of around 1,800 intricately carved gemstones and gold objects and further enlarged the stupa. Continue reading →

The National Museum, New Delhi makes the herculean task of experiencing India’s monumental heritage spanning 5,000 years—doable. You could always spend 3 minutes looking at each object in its 210,000 piece collection. But that would take 14.5 months with no sleep or meals inbetween. Or you could do an audio tour and spend a day exploring its glorious galleries through 64 masterpieces. And if you have just one and a half hours, then why not feast your eyes on its very best.

Earlier housed in the Rashtrapati Bhawan [President’s residence], the collection has its roots in 1947 when the Royal Academy, together with the governments of India and Britain, decided to hold an “Exhibition of Indian Art” in London. Selected artefacts from museums across India were collected for the showing.

Before returning the exhibits to their respective museums, it was decided to display the exhibition in Delhi as well. What a huge success it turned out to be! The overwhelming response led to the idea of a permanent National Museum being set up in the capital with its very own building by India Gate which it moved into in 1960.

The National Museum has it all. From the iconic Harappan Dancing Girl to elegant Gandharan Buddhas, from exquisite miniature Mughal paintings to luscious Tanjore compositions, from Chola bronzes to 20th Century decorative arts, from medieval sculptures of voluptuous Hindu deities to diamond and emerald regalia of its once-upon-a-time royalty. The Museum has all these, and much much more.

Here are my 15 favourite pieces collated after rambling through its collections and meditating over its audio tour. Doable in 90 minutes. 🙂 Continue reading →