Yin and yang. Negative and positive. Feminine and masculine. Dark and light. Two sides which together make a whole.
Sidi Saeed, an Ethiopian who found his way to the Gujarat Sultanate’s army via Yemen, way back in 1572, seemed to have some inkling of this. Armed with 45 sculptors, “the nobleman who helped the poor and had a large collection of books,” created a series of jalis or stone screens as part of the Sidi Saeed Mosque in the heart of Ahmedabad. The most exquisite was the “tree of life” with its swirling, leaf-lined, abloom branches, topped with a palm motif; its beauty heightened when seen from both the outside and inside. It was hard put to decide which side was a lovelier sight. Continue reading →
Fairy tales often start like this, don’t they: Once upon a time there was a fearless, virtuous king who had dreams of conquering an invincible fortress perched on a hill. His father and grandfather had time and again attempted to defeat it too, but to no avail.
The tale I am writing about continues like this: The brave king was Sultan Abu’l Fath Nasir-ud-Din Mahmud Shah I, ruler of the Gujarat Sultanate and great-grandson of Ahmed Shah I, founder of Ahmedabad, Gujarat in 1411. The invincible fortress belonged to the Kichchi Chauhan Rajputs on Pavagadh.
Calling himself “Sultan al-Barr, Sultan al-Bahr” meaning “Sultan of the Land, Sultan of the Sea,” history knows him as Mahmud Begada. The name “Begada” was derived from his winning two gadhs in his lifetime, namely Pavagadh and Junagadh. Continue reading →
“Look up, at the ceiling.” I am broken from my reverie, as I drift through a forest of 172 stone pillars, by my guide Manoj’s voice prodding me to halt in my tracks and raise my eyes, heavenwards.
High up, inside a dome above the main mihrab is the most exquisitely carved sculpture I have seen to date. And I find myself gasping in awe. Is this for real? I am not too sure what stuns me more. Its immense size, the fineness of the swirling leaves, or its incongruous placement—I am in a 500-year-old mosque in Champaner in Gujarat, 50-odd kilometres outside Vadodara, and the sculpture is Hindu-Jain in style and content. Continue reading →