Yin and yang. Negative and positive. Feminine and masculine. Dark and light. Two sides which together make a whole.
Sidi Saeed, an Ethiopian who found his way to the Gujarat Sultanate’s army via Yemen, way back in 1572, seemed to have some inkling of this. Armed with 45 sculptors, “the nobleman who helped the poor and had a large collection of books,” created a series of jalis or stone screens as part of the Sidi Saeed Mosque in the heart of Ahmedabad. The most exquisite was the “tree of life” with its swirling, leaf-lined, abloom branches, topped with a palm motif; its beauty heightened when seen from both the outside and inside. It was hard put to decide which side was a lovelier sight. Continue reading