photo essay: sirhind, the lost atlantis of punjab

There was once a city called Atlantis, a Utopia which was both highly advanced and its people beautiful and wise. But then these very people became corrupted with their own might. Angered by this, the gods made the city disappear forever, never again to reappear.

Much like Plato’s fabled Atlantis, there was once a paradisaical Utopia nestled in the fertile Punjab plains in northern India. Strategically located halfway between Delhi and Lahore, it was wealthy and beautiful, decorated with some 360 mosques, gardens, tombs, caravansarais, and wells. It minted its own gold and copper coins, trade and industry flourished, and Sufi saints, artists and surgeons converged in its lanes, calling the city their home.

And like Atlantis, its wonders and fortunes disappeared overnight. Continue reading

narnaul: of all-powerful medieval nobles and incredible wealth

Is this really the work of human hands? That is all I could think as I gazed up at the magnificent rose-pink and dove-grey edifice towering above me. I was in the courtyard of a 12th century Sufi saint’s khanqah and the sight in front of me would not have changed much in the past five centuries. I whispered to myself, lest I break the spell with my own voice: See, how wrong you were!

I have a confession to make, Dear Reader.

When I was putting together my travel bucket list for India, I had decided to demarcate it State-wise. Next to Haryana, I wrote ‘nil’ which translated to: there was nothing to see. Almost as if to prove me wrong, and that too with a vengeance, I got to explore four of its towns in recent weeks, towns which overflowed with historicity, heritage, and charm.

The most recent was Narnaul. Over the course of the day, I traversed stunning monuments spanning a millennium: tombs, stepwells, havelis, gateways, and palaces. The sheer number, their grandeur, and remarkable state of preservation seemed to mock my ignorance. Continue reading

in search of rahim das aka rahim khan, the 16th century warrior-poet

Young Abdur Rahim Khan-I-Khanan being received by Akbar, Akbarnama. V&A Museum, London.

Not all men are made the same. Some are soldiers, and some are poets. And then there are some who wield a sword and pen with equal elan.

This post is the story of one such gentleman in the 16th Century who went by the name Abdur Rahim Khan-I-Khanan. ‘Khan-I-Khanan’ meaning ‘Khan of Khans’, a title given to him by the Mughal Emperors he served: Akbar and Jahangir.

Abdur Rahim Khan-I-Khanan portrait. 1627. Freer Gallery of Art, Washington DC.

Abdur Rahim Khan-I-Khanan was a man of multiple talents: a statesman, courtier, soldier, poet, linguist, humanitarian, and patron. Befittingly, he was also one of Emperor Akbar’s legendary ‘nine jewels’ or navratanas in the Mughal court.

Born to a Muslim father, Bairam Khan, and a Hindu mother in 1556, he was equally proficient in Persian, Arabic and Turki as he was in Sanskrit and Hindavi, his mother tongue. His Portuguese was passable.

His family belonged to the inner circle of the Mughal royal family, serving as companions and tutors to its princes through generations. Though his childhood was marred by the fall of his father’s career and subsequent assassination, he was straightway taken into Emperor Akbar’s court when he was just four years old. A court where pluralism and aristocratic culture thrived under Akbar’s mentorship. It was, thus, no surprise that Abdur Rahim’s manifold innate talents bloomed multi-fold.

History remembers him most for his translation of the Baburnama, Emperor Babur’s biography, and the Hindu epics Ramayana and Mahabharata, into Persian and some 300 pithy Hindavi dohas or couplets. The latter, written under the pen name of Rahim Das, ooze with a deep insight into the complexities of life and human nature, and form part of India’s school curriculum, even four hundred years after his death. Continue reading

photo essay: delhi’s red fort, stories told and untold

Behind a pile of impregnable traffic barriers and guarded by the stern-lipped, but polite, Central Reserve Police Force [CRPF] is Delhi’s most prestigious fort, Qila-e-Mubarak, meaning ‘Auspicious Fort’. Or the Red Fort, as the British called it.

Mughal Emperor Shah Jahan, who designed and built it in 1648 [the same gentleman who built Taj Mahal], would not have been too pleased about the barricades, both human and metal. He was not even happy when his son Aurangzeb built a wall around Lahore Gate, the public entrance.

With a direct line of view from Chandni Chowk to the Diwan-e-Aam [Hall of Public Audience], Shah Jahan argued that the enclosure was like putting a veil in front of a woman’s beautiful face. Continue reading

humayun’s tomb: an ode to destiny’s child

An opiumate and weak general [as popular history would like us to believe] or a gentle ruler determined to regain his lost territories and in fact did. Even if it took him 15 long years in exile racing on horseback through Lahore, Sindh, Rajputana, and Persia.

Were it not for a colossal garden tomb built in his memory by his son, he may well have been forgotten in the dusty pages of time.

This blog post is the story of Indian Mughal history’s most fortunate and unfortunate emperor: Humayun and his enormous resting place in India’s historical capital city, Delhi. Happy exploring! ❤ Continue reading

8 hours in eclectic ajmer, rajasthan’s centre for sufism

Rose essence from Hinduism’s holy city of Pushkar fills the air of Sufi Islam’s sacred dargah in Ajmer. The courtyard reverberates with qawwalis in praise of the 13th Century saint from Iran, as the faithful shuffle past his grave in deep reverence, heads bowed, eyes lowered, a prayer or two on their lips.

It is 9ish in the morning and I am at the Khwaja Moinuddin Chishti Dargah deep in the heart of Ajmer’s Muslim quarter. As far back as I can remember, I had wanted to visit the tomb-shrine. Now actually standing here, it feels unreal. Surreal.

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Just 15 kilometres from Pushkar, separated by Nag Pahar an ancient hill in the Aravalli range, is Ajmer—Pushkar’s antithesis. Continue reading

#6 colossal sikandra: 7 reasons why agra should be on every travel bucket list

After getting all sentimental at Shah Jahan’s expression of love for his beloved, departed wife and marvelling at the artistic nuances of Nur Jahan’s token of devotion towards her doting parents, I am ready to be bowled over by Sikandra, Akbar’s tomb for his own self.

Here was a monument made by, and for, one of India’s greatest rulers—befitting his stature and achievements. I wondered what it was going to be like. Continue reading

#4 itimad-ud-daulah’s poetic tomb: 7 reasons why agra should be on every travel bucket list

There is no one more fascinating in Mughal history than the Persian father-daughter duo Mirza Ghias Beg and Mehr-un-Nissa. Posterity knows them as Itimad-ud-Daulah and Nur Jahan.

A classic tale of riches to rags and back to riches, Mirza Ghias Beg was a defamed nobleman from Tehran, Iran who decided to try and change his fortunes in 16th Century Mughal India. Robbed on his way, he reached Akbar’s court penniless, but was quick to rise the ranks to earn himself the title Itimad-ud-Daulah or Pillar of the State, and even become the grand vizier in Akbar’s successor, Jahangir’s court.

His daughter, meanwhile, was abandoned at birth by her parents, fraught with poverty, in Qandahar, Afghanistan on 31 May, 1577 on their way to India. She was returned to their home the same night by a stranger who decided to take the family under his wing.

Beautiful, fearless, hot-tempered with nerves of steel, she fell in love with Jahangir, the Emperor Akbar’s son when she was eight years of age. But it was only after a 14-year bad marriage—widowed, 34, and with a child—that she re-entered his life to become his 20th and last wife in 1611. He bestowed upon her the title Nur Jahan, Light of the World. In the ensuing years, Jahangir spent his life intoxicated by opium and alcohol, smitten by her beauty and brains. She, on the other hand, became the most powerful woman in Mughal history and ruled the empire for 16 years from behind the veil. Continue reading

#3 abandoned fatehpur sikri: 7 reasons why agra should be on every travel bucket list

“Jesus, son of Mary said, ‘The world is a bridge, pass over it, but build no houses upon it. He who hopes for a day, may hope for eternity; but the World endures but an hour. Spend it in prayer for the rest is unseen.'”
~ Persian inscription,
Buland Darwaza, Fatehpur Sikri, 1601

My recollections of Fatehpur Sikri trace back to a family holiday many eons ago. I was 10. I remember being mesmerized as I wandered through the vast, desolate expanses embellished with exquisite stonework. Long fingers of golden sunshine stroked the edifices, setting the scattered, towering, red sandstone walls aflame.

For a 10-year-old it was a surreal place totally removed from all reality as I knew it.

Over the years I would often close my eyes and go back in time to re-emerge starry-eyed about life’s wonders. Amazed about a whole city built by one of the greatest emperors history had known, in honour of a Sufi saint who predicted the one thing he wanted most—a heir to pass on his empire to. Crafted with incredible passion and precision, the emperor Akbar himself oversaw the building of the site from its floor plans to the hand-chiselled columns and doorways to ensure it reflected his secular beliefs and heightened sense of aesthetics. Continue reading

#2 majestic agra fort: 7 reasons why agra should be on every travel bucket list

Sunrise at Agra Fort. Why sunrise ? Why not noon, sunset, twilight … Simple. Because at sunrise, when the warm golden light dapples over the 450-year-old walled Mughal palatial precinct and its deserted sprawling expanses, something close to magic happens. Plus I like mornings. 🙂

Built in the Indo-Islamic architectural style, the bow-shaped Fort with its 70-feet-high bastioned walls facing the Yamuna river, served as the Mughal empire’s military strategic point, as well as their royal residence.

The story of the Agra Fort is the story of three of its Mughal emperors—their resolute ambition, blinded passion, and romantic love is emblazoned over the red, intricately carved sandstone and translucent marble edifices. The story has been recounted countless times in Indian history books, movies, and music. Agra Fort lets one relive it, in what was once their home, in the company of its memories.

The emperors were Akbar, Jahangir, and Shah Jahan. Continue reading