a self-guided walk through lucknow’s historical precinct

Can one really argue the pleasures of sitting inside a monument, suspended in time, or a leisurely conversation with a local through whom the past lives on? Isn’t that how travel to places steeped in history should be like?

I am prone to believe there is only one unalloyed way to explore heritage precincts—on foot, on your own, and at your own pace. With no stringent “you have 15 minutes here” or the need to absorb a site amidst a non-stop rattle of facts and stories, some true, some crafted just to enchant you.

Last month, I also discovered no city deserves one’s space and slowed down pace more than Lucknow, where nothing much has changed inside its old city walls over the past 250 years. The mosques and imambaras are still functioning. Travellers from far and wide still gaze at its colossal monuments in wonder. Continue reading →

lucknow, revolutions of 2 kinds: residency 1857 and ambedkar memorial 2008

“Our lives begin to end the day we become silent about things that matter.” ~ Martin Luther King Jr.

Revolution
rɛvəˈluːʃ(ə)n/ (noun)
1. a forcible overthrow of a government or social order, in favour of a new system.
2. a dramatic and wide-reaching change in conditions, attitudes, or operation.

Martin Luther King Jr’s above quote is one of my favourites. But not all revolutions are violent massacres aimed at toppling a system by a populace who have reached their limits. At times they are opulent statements made to put a point across. The purpose remains the same. Change. I saw both in Lucknow, in the course of one day. One from way back in 1857, and another from 2008. The disparity was striking. The commonality inspiring. Scroll through, and you will see what I mean. 🙂

The Residency, 1857

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24 hours in incredible allahabad

Amitabh Bachchan’s hometown. If one is Indian, it is the first thing that in most probability comes to mind when one hears of Allahabad. This is by virtue of the superstar’s constant vocal affirmation, flaunted with much pride, of its role in his life. It is where he was born and spent his childhood and youth, before becoming the country’s biggest and brightest star, still shining at 75.

To those spiritually inclined, Allahabad is evocative of all that is sacred in Hinduism. The meeting point of Ganga, Yamuna, and the mythical Saraswati, the city is built on the site of the ancient Aryan town of Prayag—the place for offerings. And perhaps, thus, by pure logic, it is also the site, since time immemorial, of the largest Hindu gathering held every 12 years on the banks of Sangam, or the confluence, in the form of the Maha Kumbh.

Rarely on most travellers’ circuit, Allahabad often gets side-lined in favour of its more popular neighbours on either side—Lucknow and Varanasi. But, like everything else in India, it too oozes of history, heritage, and stories galore, as I was quick to discover. Continue reading →

photo essay: varanasi, stories told and untold

No, I did not fall in love with Varanasi at first sight as I had been led to believe would happen by the countless travel glossies and blogs I’d read which eulogised its charms. In fact, I hated it at first sight.

It was crowded, dirty, and noisy. Touts pulled me in desperate attempts in all directions to try and sell me boat rides and Banarasi sarees. Rickshaw drivers were ready to rip me off for a 10-minute canter. The sweetmeat shops had “unsanitary” written all over them in CAPS.

I was booked for three days in Varanasi—the land between the Varuna and Assi tributaries which join the River Ganga, or Ganges in English nomenclature, to form the north and south borders of the city. Its name was corrupted to Benaras during the British Raj.

My heart dreaded the stay as soon as I entered the precincts, pleading: “Let’s just cut the trip short and go back to the serenity and comfort of home.” A small voice in me whispered: “No. Varanasi does not happen every day. Live through it.” Continue reading →

global travel shot: alamgir aurangzeb’s mosque in varanasi

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Varanasi. The very name rings of sacred Hindu scriptures, stories of Lord Shiva and Ganga, and Hindu beliefs on life and afterlife. The oldest living city in the world, it is the accepted embodiment of Hinduism.

Yet, perched atop Panchganga Ghat by the holy River Ganges, where five streams are said to join, is a lovely functioning mosque—Alamgir Mosque. It is also the largest structure on the ghats. Standing over the ruins of a Krishna temple [the lower walls of the mosque belong to the original Hindu temple], the Hindu deities lie in a nearby edifice. Continue reading →

in search of buddha’s sarnath: the traveller’s guide

Oftentimes what we are consciously searching for is not what we are subconsciously looking for. Sounds confusing? 🙂

A few weeks ago, I took a train and bus trip from Delhi in search of Varanasi [Benaras], the Kashi of yore. I found Sarnath in Kashi’s place instead. Perhaps this occurred because there is more of the Buddhist in me than the Hindu. Whatever be the case, Sarnath touched a place deep within my core.

May I state from the outset you do not need a guided tour for Sarnath, and that is not what this post aims at being. Sarnath needs to be experienced and understood at a personal level, in one’s own space and rhythm. What I want to share here are my personal travel learnings to help you make the most of your Sarnath experience, and perhaps allow Sarnath to speak to the Buddhist in you too. ❤ Continue reading →

5 best kept secrets of bundi, india’s best kept secret

Bundi. The very name is evocative. Translated literally it means sweetened, fried chickpea flour—a snack indigenous to Rajasthan. When applied to a small, sleepy, powder-blue painted town nestled in a deep gorge surrounded on three sides by the Aravalli hills with a spectacular fort and palace looming over it, it becomes synonymous with one of India’s best kept secrets. A secret with myriad secrets within its folds.

Founded by a gentleman of the Meena tribe who went by the name Bunda, it was annexed by Rao Deva Hada in 1342, founder of Bundi [the princely state] and Hadoti [land of the great Hada Rajputs]. Friends with the Mughals and thereafter, the British Raj, it retained its princely status till 1947. Not many venture into Bundi; neither today nor in the past.

Here are five secrets I discovered in Bundi which make it the treasure trove that it is. If you know of more, please do share in the comments section. 😊 Continue reading →

the bundi-kotah school of miniature painting in kotah’s garh palace

Me: Kotah Palace jaanaa hai. [I want to go to Kotah Palace.]

Auto rickshaw driver: Palace hotel?

Me: Nahin. Sirf palace. Jahaan rajah maharajah rehtey they. [No. Just palace. Where the kings used to live.]

Auto rickshaw driver (confused): Par vahaan toh koi Indian nahin jaataa! Sirf gorey log jaatey hai! [But Indians don’t go there! Only white people do.]

Me: Haan, vahin jaana hai, jahaan gorey log jaatey hai. [My deep gratitude to Caucasians at this point for appreciating the treasures hidden in India’s midst.]

Auto rickshaw driver (laughing): Chalo, aaj yeh bhi dekh letey hai. [Sure, let me see this place too, today.]

It’s chaotic and crowded. I had just got off a rickety bus from Bundi. My train to Delhi, deep into the night, was a good few hours away. The plan was to spend the time in-between devouring the miniature painting frescoes of the Kotah Garh Palace. Continue reading →

the painted palaces of bundi

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A woman looks brazenly across the room. Her perfect profile decorated with jewels is tilted in anticipation. On the wall opposite, a royal damsel is being dressed by her lady-in-waiting whilst a Rajput prince slyly peeps from behind the curtains in blatant lust. Two women on a side wall make erotic love to each other.

The gods and goddesses are no less immune to the dynamics of the room. A series of frescoes have Krishna dancing in gay abandon with Radha and her sakhis in the raas leela. In another, he is perched atop a tree with the stolen garments of the gopikas.

Painted using a palette of turquoise green, black, and white, the colonnaded open-sided hall with private rooms leading out of it, was once the maharaja’s pleasure room. It is befittingly called Chitrashala—chitra meaning picture, shala meaning house or abode. The abode of pictures.

What makes these paintings, and those in Bundi’s other royal palaces unparalleled, is they comprise some of the finest examples of the Bundi School of Miniature Painting. A style normally associated with paint on paper, the Bundi school found its way in its parent city to the walls of the ruling family’s private rooms to create visual extravaganzas of colour and storytelling tipped with gold. Continue reading →

why bundi’s stepwells will take your breath away

If like me, you were brought up on a travel diet of London and Paris, with Persepolis thrown in for effect, you would wonder what all the hullabaloo about India’s stepwells was for. That is, until you saw them in person.

Since moving back to India, I have time and again read that the stepwells or baoris [as they are known in the local dialect] of Gujarat and Rajasthan were stunning. I was told there was even one in Connaught Place, the heart of New Delhi, which was a complete beauty. I, thus, conjured them in my mind as architectural marvels to be found in the historically grand cities of India. Read—grand.

And as always, India took me by surprise. Continue reading →